nas

ART AND JESUS: Is it sacrilegious or can we respect the artistic integrity.

ART AND JESUS

APRIL 13, 2023

I.THE CROWN OF THORNS

Kendrick Lamar during his Mr. Morale & The Big Steppers Tour

Is it sacrilegious or can we respect the artistic integrity. I was watching a recent Kdot performance during his Mr. Morale and the Big Steppers run and was noticing he was wearing a diamond crown of thorns, which I believe he wore on the album cover.

As I was watching it, I scrolled through the comments and was noticing a lot of people were concerned about Kendrick’s crown and felt like he was making a mockery of Jesus. The crown look aesthetically cool but I started having the same concerns. I think in order to crack this we have to go back what the crown of thorns actually meant in reference to Jesus.

In the Bible the crown of thorns were definitely a symbol of mockery.

28 And they stripped him, and put on him a scarlet robe.

29 And they platted a crown of thorns and put it upon his head, and a reed in his right hand; and they kneeled down before him, and mocked him, saying, Hail, King of the Jews!

30 And they spat upon him, and took the reed and smote him on the head.

31 And when they had mocked him, they took off from him the robe, and put on him his garments, and led him away to crucify him.

Matthew 27:28-31

As you can see the crown of thorns meant no good when it was placed upon Jesus’ head. Yet you see images of Kdot, the Makaveli album cover (which did it says it did not intend to be a mockery on the cover), and even the Kanye Rolling Stone cover where he was depicted as if he were crucified. I think I can understand what these artists are at least trying to portray.

I think each artist is expressing the criticism and trials that comes with their position of influence. I guess extreme public criticism could in essence feel like a crucifixion. Which is probably a logical/sensible comparison since crucifixion was a common way of public humiliation back in the day.

I believe the issues become though nothing they go through can compare to THEE crucifixion (Jesus’ ultimate sacrifice) and it is probably unwise to compare anything to it. Jesus was completely without fault, unjustly destroyed, and decided to make the ultimate sacrifice to save the world from itself.

II.UNJUST COMPARISON

Stop me if I’m wrong but does any of the artists I named contributions amount to something like that?I’ll answer for you, no! So it begs the question why do people continue to do stuff like this? Every generation has an artist and will have an artist that tries to recreate something related to the crucifixion of Jesus but I can’t understand what pushes people to do that besides the earlier point I made. So back to my earlier question, do we respect the artistic integrity or classify the things these artists do as a smack in the face to Christ himself? Bottom line, I can’t find myself that the artists I named had deliberate ill intent in their heart but I know there are other artists out there who have done the same thing who had full intentions to be a mocker!

Though I cannot find deliberate ill intent I can stand on the fact that things like this may be best avoided. Our hardships and criticism just simply don’t compare to what Jesus suffered, even though we can use his suffering as teaching tool on how to deal with suffering, we should never think we have paid ultimate price of suffering as he did especially when it comes to music & arts.

Even I had a line that went “… five stars where they keep us and I wear the same crown that they gave Jesus” and I pretty much meant what I said earlier, the line was meant to show people mocked and criticized me and didn’t think I wasn’t as esteemed as I portrayed myself. But today I probably wouldn’t say a line like that after going through the process of writing this article and realizing what I was saying. So yeah moving forward lets probably stop using Jesus’ execution as a metaphor for our life’s suffering because the comparison is really nonexistent when you think about it.



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OUR LEGENDS AIN'T WORRIED

OUR LEGENDS AIN’T WORRIED

October 25, 2021

There is a saying that goes, “Youth is wasted on the young”. Luckily, for the legends that I’m discussing today, youth is a state of mind and nothing can shake a veteran that’s about putting in that work.

I. MELO SCORING OVER 20

This shouldn’t even be a big deal but here’s why it is. So many people counted out that boy Melo for no reason. Some tried to say it was his “attitude”, others said he was confused about his role, and others just flat out thought father time had finally caught up to the B-More legend. Well survey says that’s cap!

That boy Melo is proving his longevity just like his banana boat buddy King James. Even other stars across the league had to express their disbelief about the criticisms regarding Mr. Anthony. Melo has been proving himself to be a valuable asset to the Lakers franchise. Something he wasn’t able to fully show with Houston or OKC. He’s been on a steady trend upwards since his redemption via Portland and now even in Year 19 the sky’s the limit for the legend named Carmelo Anthony!

II. JADAKISS WINNING VERZUZ

Verzuz is a revolutionary platform started by legendary producers Swizz Beatz and Timbaland, that pits togethers the powerhouses of music in a battle of catalogs! This platform is important to the culture because it makes our legends relevant again by putting money in their pockets and exposing to new opportunities with the recent exposure provided by the battle. However, there is an undisputed Verzuz champion and it’s the guy from Yonkers that had a baldie at 19 for no reason and wears timbs w/ shorts. That’s right ladies and gentlemen, D-Block’s finest, Jadakiss!

Kiss proved that lyrical manslaughter is always respected no matter what. After besting Fab during his first Verzuz appearance, Kiss made another entrance into the Verzuz battlefield alongside his L-O-X brothers to battle the Culture Gods, the mighty Dipset, most known by its 3headed monster—Killa Cam, Capo, and the poster child for Bandanas, Juelz Santana!

People were instantly writing off Kiss and the LOX because the cultural dominance of Cam and the Diplomats resonated with the youth so hard, people didn’t see the LOX overcoming those anthems. But that night the Diplomats was looking like they lost all their immunity and was facing 25 to life. Kiss went so crazy he had the Dips in shambles off Clue tape freestyles! Jadakiss may not have had that youthful dominance that Dipset had but he learned kids across the world real good that night. Even kids was just dressing up as Jadakiss for hallowen this year! (probably at the direction of the parents but the point still stands). Jada stuck to his guns and when people tried to write him and them Yonkers boys off, he showed up like Melo breaking another scoring record! Truly remarkable!

MIGHTY MIGHTY D-BLOCK!

III. NASIR’S KINGLY RESURGENCE

Man out of the legends discussed during this article, I gotta be proud most of my guy Nasir! The Queensbridge hero truly showed up these couple years. After a critically slammed fully Kanye produced album, people once again questioned “Is it Over for Nas?” “Should I listen to Illmatic for the 9Billionth time?!”. I personally enjoyed the Kanye produced album NASIR, but whether I enjoyed that or not, Nas shut all critics mouths for good when he linked up with the underdog HIt-Boy. Hit-Boy and Nas seem like a random hookup but Hit-Boy been unconsciously prepped for this moment for a while.

Hit-Boy got to produce maybe the biggest stadium banger of all time, “N***** In Paris”. Besides all the Ye stuff he had the Drake banger “Trophies” under his belt. He maintained consistency blessing the streets with his collab Dom Kennedy tapes and scooped a grammy for producing the late great Nipsey Hussle’s “Racks in the Middle” single. Wait a minute and the boy got production credits on SICKO MODE!

All his previous successes showed that he was ready to give Nas the soundtrack to properly convey his thoughts without forcing him to stay in what Hit-Boy dropped. Those tracks I mentioned sound nothing like each other but they still banged in their own way. Which is what exactly what Nas needed. He’d never fail with lyrical content but Hit-Boy had the ability to keep Nas current.

With the first King’s Disease, Nas showed us he still had plenty to say and he could give us bangers while he said them too! Nas even got his first grammy off this album, he didn’t even get a grammy for what people considered the greatest hip hop album of all time, Illmatic. As if that wasn’t impressive enough, Nas delivers a sequel that is undoubtedly better than the first! His lyrics on point, the beat banging, and his songs has a new breath of life that doesn’t get tiresome.

Nas showed that he doesn’t have to play to the tune of today’s sound but he also showed he doesn’t have to boom bap us to death to stay true to himself. Even with songs like YKTV or SPICY, Nas don’t start rapping like Quavo or NBA Youngboy he stays himself while trusting Hit-Boy’s. production. This idea is expressed with the lyric, “imagine lil uzi on a primo beat, imagine n-a-s on a migos beat.” Which shows Nas isn’t afraid to experiment and he doesn’t have to lose himself while doing so, peace god!

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